Horror Blogspot

In horror films and trailers, according to the theorist Hall, audience interpret texts very differently. The 'Dominant Reading' where they accept the preferred reading, the 'Negotiated Reading' where they question the reading, and the 'Oppositional Reading' is where they reject it. I will be using Terror House's trailer, Bedeviled, to apply, analyse and evaluate how the audiences fulfil their purpose. The first audience theory I will be applying is Cover Jones's desensitisation theory. Desensitisation theory by Mary Cover Jones which says that the more violence viewers are exposed to in the media over a period, the less sensitive we become it. In the trailer, Bedeviled, there’s barely any violence that the audience are exposed to. The snapping of the neck can be seen as violence. The violence was portrayed through a close up of the protagonist which contained a sound effect of a cracking neck. The sound effect was effective as it sounded very realis

Representation in horror films are demonstrated through the characters and the themes. The five theories that i will be addressing and applying to Ghostly Studios 'Hunted Trailer' are The Gaze, The Final Girl, Religion and Sexuality, Hegemony and The Monster/Other. Within horror films, 'The gaze' also known as the 'Male gaze' is commonly presented, especially in slasher films. Mulvey argues that women in horror are objectified on the screen with a point of view camera which intentionally focuses on their body. It's always from a male perspective (hence why it's called Male gaze) , making them voyeurs. In the Hunted, there's no use of the male gaze used. It would of been better if they had included the gaze as it signifies that male have more power over the females. It could of been used to demonstrated the killer's power over the female victims. It was supernatural film as it contained symbolic codes such as the cross and a statue of Jesus. The